MoMa - Museum of Modern Art (Modern Sanat Muzesi)

Won't you just come in?
Iceri girmezmiydiniz?

The Museum of Modern Art
(212) 708-9400
11 West 53 Street,
Between Fifth and Sixth Avenues

New York, NY 10019-5497

Museum Hours
Saturday 10:30 a.m.–5:30 p.m.
Sunday 10:30 a.m.–5:30 p.m.
Monday 10:30 a.m.–5:30 p.m.
Tuesday closed
Wednesday 10:30 a.m.–5:30 p.m.
Thursday 10:30 a.m.–5:30 p.m.
Friday 10:30 a.m.–8:00 p.m.

Closed on Christmas day and Thanksgiving day

From Wikipedia's website:

History
The idea for the Museum of Modern Art was developed in 1928 primarily by Abby Aldrich Rockefeller (wife of John D. Rockefeller Jr.) and two of her friends, Lillie P. Bliss and Mrs Cornelius J. Sullivan. They became known variously as "the Ladies", "the daring ladies" and "the adamantine ladies". They rented modest quarters for the new museum and it opened to the public on November 7, 1929, nine days after the Wall Street Crash. Abby had invited A. Conger Goodyear, the former president of the board of trustees of the Albright Art Gallery in Buffalo, New York, to become president of the new museum. Abby became treasurer. At the time, it was America's premier American museum devoted exclusively to modern art, and the first of its kind in Manhattan to exhibit European modernism.

Goodyear enlisted Paul J. Sachs and Frank Crowninshield to join him as founding trustees. Sachs, the associate director and curator of prints and drawings at the Fogg Art Museum at Harvard University, was referred to in those days as a collector of curators. Goodyear asked him to recommend a director and Sachs suggested Alfred H. Barr Jr., a promising young protege. Under Barr's guidance, the museum's holdings quickly expanded from an initial gift of eight prints and one drawing. Its first successful loan exhibition was in November, 1929, displaying paintings by Van Gogh, Gauguin, Cezanne and Seurat.

First housed in six rooms of galleries and offices on the twelth floor of Manhattan's Heckscher Building, on the corner of Fifth Avenue and 57th Street, the museum moved into three more temporary locations within the next ten years. Abby's husband was adamantly opposed to the museum (as well as to modern art itself) and refused to release funds for the venture, which had to be obtained from other sources and resulted in the frequent shifts of location. Nevertheless, he eventually donated the land for the current site of the Museum, plus other gifts over time, and thus became in effect one of its greatest benefactors.

During that time it initiated many more exhibitions of noted artists, such as the lone Vincent van Gogh exhibition on November 4, 1935. Containing an unprecedented sixty-six oils and fifty drawings from the Netherlands, and poignant excerpts from the artist's letters, it was a major public success and became "a precursor to the hold van Gogh has to this day on the contemporary imagination".

The museum also gained international prominence with the hugely successful and now famous Picasso retrospective of 1939-40, held in conjunction with the Art Institute of Chicago. In its range of presented works, it represented a significant reinterpretation of Picasso for future art scholars and historians. This was wholly masterminded by Barr, a Picasso enthusiast, and lionized the greatest artist of the time, setting the model for all the museum's retrospectives that were to follow.

When Abby's son Nelson was selected by the board of trustees to become its flamboyant president in 1939, at the age of thirty, he became the prime instigator and funder of its publicity, acquisitions and subsequent expansion into new headquarters on 53rd Street. His brother, David Rockefeller, also joined the Museum's board of trustees, in 1948, and took over the presidency when Nelson took up position as Governor of New York in 1958.

David subsequently employed the noted architect Philip Johnson to redesign the Museum garden and name it in honor of his mother, the Abby Aldrich Rockefeller Sculpture Garden. He and the Rockefeller family in general have retained a close association with the Museum throughout its history, with the Rockefeller Brothers Fund funding the institution since 1947. Both David Rockefeller, Jr. and Sharon Percy Rockefeller (wife of Senator Jay Rockefeller) currently sit on the board of trustees.

In 1937, MoMA had shifted to offices and basement galleries in the Time & Life Building in Rockefeller Center. Its permanent and current home, now renovated, designed in the International Style by the modernist architects Philip C. Johnson and Edward Durell Stone, opened to the public on May 10, 1939, attended by an illustrious company of 6,000 people, and with an opening address via radio from the White House by President Franklin Roosevelt.

Artworks
Inside the MoMA building.Considered by many to have the best collection of modern Western masterpieces in the world, MoMA's holdings include more than 150,000 individual pieces in addition to approximately 22,000 films and 4 million film stills. The collection houses such important and familiar works as the following:

The Starry Night by Vincent van Gogh,
Les Demoiselles d'Avignon by Pablo Picasso,
The Persistence of Memory by Salvador Dalí,
Broadway Boogie Woogie by Piet Mondrian,
The Seed of the Areoi by Paul Gauguin,
Water Lilies triptych by Claude Monet,
Dance by Henri Matisse,
The Bather by Paul Cézanne,
I and the Village by Marc Chagall,
Self-Portrait With Cropped Hair by Frida Kahlo,
Shimmering Substance by Jackson Pollock.

It also holds works by leading American artists such as Andy Warhol, Cindy Sherman, Jean-Michel Basquiat, Jasper Johns, Edward Hopper, Chuck Close, Georgia O'Keefe, and Ralph Bakshi.

MoMA developed a world-renowned art photography collection, first under Edward Steichen and then John Szarkowski, as well as an important film collection under the Museum of Modern Art Department of Film and Video. MoMA also has an important design collection, which includes works from such legendary designers as Paul László, the Eameses, Isamu Noguchi, and George Nelson. The design collection also contains many industrial and manufactured pieces, ranging from a self-aligning ball bearing to an entire Bell 47D1 helicopter.